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The story is about Urvil Raisingh and Celina who meet at an event and a memorable night later. Returning back home they continue with their lives. The memories of Celina haunt Urvil. What happens next forms the crux of the unfolding drama. One Night Stand explores the hypocritical world we live in. This is one of the more unusual films about a nuclear holocaust, nearly introspective in its focus on a handful of people in Sydney's world-famous opera house, finding ways to pass the time until.

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Adapting his play, screenwriter Kemp Powers peppers his scenario with historical facts and truths about each of his characters. He imagines what they said to each other during their real-life meeting, and the writing finds an emotional accuracy within its dramatic license. The result is a riveting drama that at times evokes Spike Lee and Reggie Bythewood’s “Get On The Bus.” Both films allow us to sit with Black men and listen to them engage one another with the honesty and freedom they can only fully enjoy without the presence of White America. Absent the prying eyes of “polite company,” these men strip their masks and dive headfirst into the invigorating and deep pool of “keeping it a hundred.” I’ve quoted Ossie Davis’ “Purlie Victorious” line before, but it’s appropriate here too: “Being Black can be a lot of fun when ain’t nobody lookin’.” These men know it, and “One Night In Miami” shows it to us.

This is a very good film, full of memorable performances and thought-provoking speeches and arguments. The accomplishments of King and her actors are even more impressive when you stop to think about the shadows these men cast, both in their real-life incarnations and their cinematic representations. Brown and Ali were larger than life as sports figures on the TV and as characters on the big screen. Ali played himself in “The Greatest,” and Will Smith got an Oscar nomination as Ali as well. Sam Cooke was one of the biggest singers of his era, doing concerts and appearances you can easily find on YouTube. And if Malcolm X weren’t already electrifying in his speeches and his autobiography, Denzel Washington immortalized him in Spike Lee’s 1992 masterpiece. One can’t envy the intimidating undertaking this cast is tasked with in this film.

Yet, each actor excels in his part, masterfully handling their individual moments as well as their ensemble scenes. Odom, a Tony winner for “Hamilton,” is pure joy singing Cooke’s songs, leaning into the performances even when he’s just casually singing to himself. He’s the biggest star at this moment, bearing witness to the ascension and conversion of one sports figure and the retirement of another. He’s also in the room with a civil rights powerhouse facing his own changes via a crisis of his own faith in a spiritual leader. Cooke doesn’t see how his voice can be as powerful a weapon for his people as Malcolm’s speeches, and he’s a bit resentful that his own successful music business ventures aren’t seen as a means to help the community. In one of the few times the film leaves its present, Cooke is seen saving a disastrous concert appearance by having the audience amplify the power of his a capella performance by stomping along to his hit, “Chain Gang.” Odom’s musical performance practically shakes the screen; not for nothing does he end the film with Cooke’s classic Civil Rights anthem, “A Change Is Gonna Come.”

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A good cast can make or break a film, especially when the story is about real people. So when Oscar winner Regina King set out to make her directorial debut with One Night in Miami, out on Amazon Prime on Jan. 15, she knew she had to get the cast right. The thoughtful drama tells the story one night in 1964 when four iconic Black men gathered together to discuss sports, music, success, and activism in a motel room in segregated Miami.

After underdog Cassius Clay, soon to rename himself Muhammad Ali, defeats heavyweight champion Sonny Liston, he celebrated the event by hanging out with three of his friends: civil rights activist Malcolm X, musician Sam Cooke, and pro football player Jim Brown.

'We're talking about probably four of the most iconic men in the world, especially when you talk about Muhammad Ali and Malcolm X — and even Sam Cooke, whose music really transcends race and color and language,' King says in the film's press notes. 'So the audience knows so much about these four men that they are ready to cancel you out if you get it wrong.'

Here's who's who in the cast of One Night in Miami.

Leslie Odom Jr. as Sam Cooke

Hamilton star Leslie Odom Jr. uses his musical chops here as music legend Sam Cooke, whose work influenced blues, soul, rock, and the British Invasion of the 1960s. As the film implies, his eventful night in Miami with Malcolm X, Cassius Clay, and Jim Brown would go on to inspire the writing of his longest-lasting hit 'A Change is Gonna Come.'

But Odom Jr. tells Buzzfeed that playing Cooke was more daunting than playing Aaron Burr in Hamilton. 'With Sam Cooke, you can pull up the footage, you can pull up the record, and do a direct comparison. So it was daunting, and it's why I ran from the project for as long as I did.'

He did really go into the studio and record many of Cooke's hits, like '(I Love You) for Sentimental Reasons,' 'You Send Me,' and 'A Change is Gonna Come,' so all of the singing in the film is from Odom Jr. 'Those were some big shoes to fill,' he says in the press notes. 'I have such respect and admiration and awe for his talent and what he was able to achieve.'

Kingsley Ben-Adir as Malcolm X

English actor Kingsley Ben-Adir has been seen in a lot of TV stateside, such as Peaky Blinders, The OA, and High Fidelity. He played President Barack Obama in the miniseries The Comey Rule, and he's making kind of a big-screen breakout by playing Malcolm X in One Night in Miami.

In her director's statement, King says that a lot of actors shied away from the role, saying they didn't want to be compared to Denzel Washington's Oscar-nominated performance.

“The more I investigated the script, it became pretty clear quite early on that it was a completely different Malcolm,' Ben-Adir said during AFI fest, Variety writes, offering him 'an opportunity to show him in a way that maybe we haven’t seen him before: vulnerable and broken.'

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Eli Goree as Cassius Clay

Eli Goree, who has played fictional boxer Munroe 'Mad Dog' Moore on Riverdale and real-life quarterback Quincy Carter on Ballers, looks a lot like Cassius Clay in real life, and also seems to share his playful personality. When he talks about meeting King for the first time in the film's press notes, he says 'I went in and saw Regina. She tried to act like she wasn’t super impressed. She tried to like play it cool. But I knew there’s nobody that looks more like Clay, sounds more like Clay, or that’s been boxing for two years like me. I don’t care where you go, you aren’t going to find somebody like that.'

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Goree did a lot of intense boxing training for the film, and had to learn to fight like Clay did at the time. 'I put on 20 pounds of muscle,' he tells Fashion Magazine. 'You can never fully emulate someone who was the best ever at what he did but you want to honor and respect it, and create a sense of authenticity so when people watch it they don’t get taken out of the story. It was a big undertaking and I really gave it my all.'

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Aldis Hodge as Jim Brown

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Aldis Hodge has been acting since 1995's Die Hard with a Vengeance. In One Night in Miami, Hodge plays Cleveland Browns fullback Jim Brown, who is still considered one of the best football players ever.

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Though lately, Brown has been a vocal Trump supporter, Hodge wanted to capture his attitude and politics in 1964. “In terms of political and personal views, I wanted to stick to that time frame because he’s in a different mindset today,' Hodge says in the film's press notes.

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In the story, Brown serves as kind of a referee for the heating debates between Cooke, Clay, and Malcolm X, though he does have some passionate views of his own. 'Where we find Jim in this whole spectrum is, he’s able to understand what Malcolm is saying and what he wants while at the same time what Sam is saying and what HE wants. He realizes they’re not hearing each other — and that’s [often] where we are to this day as a culture,' Hodge tells the Chicago Sun-Times, 'in that a lot of us are shooting at the same goal, we’re just using different means of getting there. Jim is trying to bridge the gap between the two guys.'